In Revenge of Timing, sharp blocks of saturated color—crimson, cobalt, lime, and navy—interlock and collide against a radiant yellow field. Walsh balances clean, hard-edged geometry against soft, feathered undertones, creating a sharp sense of friction. The composition frames timing not as a passive sequence, but as an active visual force where every form arrives, overlaps, and settles in mid-collision.
Original acrylic on canvas 22 in × 28 in × 1.5 in
In Revenge of Timing, sharp blocks of saturated color—crimson, cobalt, lime, and navy—interlock and collide against a radiant yellow field. Walsh balances clean, hard-edged geometry against soft, feathered undertones, creating a sharp sense of friction. The composition frames timing not as a passive sequence, but as an active visual force where every form arrives, overlaps, and settles in mid-collision.
Original acrylic on canvas 22 in × 28 in × 1.5 in
